Dario Fo and Franca Rame
Dario Fo and Franca Rame

Dario Fo

Dario Fo – biography

edited by Eva Marinai
Dario Fo was born on March 24, 1926, in Sangiano, in the province of Varese, near Lake Maggiore. His father Felice, a stationmaster of socialist creed, was fond of theatre and acted in a local amateur company. His mother, Pina Rota, from a farming family, was an imaginative woman, brimming with inventive ideas. In the seventies she published an autobiographical account, Il paese delle rane (Land of Frogs), with Einaudi. She grew up on a meager diet and the popular stories her father Bristìn told her, as he would later tell his grandson. Bristin was the regional name of the pepper seed and connoted a sharp personality. His tales and those of local travelers and craftsmen (later referred to by Dario, in a phrase that captured this melting pot of history and legend, «the storytellers of the lake») offered the budding playwright a corpus of rich and suggestive narratives. He added to these in turn, preserving a connection with the atmosphere if not the substance of this tradition. Dario acknowledged an enormous obligation to his grandfather in shaping his own way of telling stories, even defining him the «first Ruzante» he had ever met. Ruzante was an outstanding theatre figure of the “alternative Renaissance”, that soon was to become Fo’s most inspiring model of theatre.
The socialist Felice, not being an active member of the party, suffered – at least according to his family – the effects of his manifest political ideas, with the want of stabilization. The family was forced to travel around Lombardy, following their father: after Sangiano, they moved to Luino, where Fulvio was born in 1928 and Bianca in 1931, then to Voghera and to Oleggio, finally to Porto Valtravaglia, on the shore of the lake that was considered by Dario his real childhood home.

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Documents are published in original language. In case the translation is present, both the original and the translation are published.

Critical writings
Anna Barsotti, Portare lo spettatore al centro del quadro: il corpo scenico di Dario Fo, in Guido Di Palma, Luciano Mariti, Luisa Tinti, Valentina Valentini (edited by), Studi e testimonianze in onore di Ferruccio Marotti, II. Il Novecento dei teatri. L'attore: tradizione e ricerca, «Biblioteca Teatrale», 95-96 July-December 2010, Rome, Bulzoni, 2012
Eva Marinai, "Vieni fuori, Euripide!". La figura popolare di Medea nella mitografia di Fo-Rame, in Anna Barsotti and Eva Marinai (edited by), Dario Fo e Franca Rame, una vita per l'arte. Bozzetti, figure, scene pittoriche e teatrali, Corazzano (Pisa), Titivillus, 2011
Dario Fo, Teatrography (e Radio, TV, Cinema),edited by Eva Marinai
edited by Eva Marinai

One thought on “Dario Fo”

  1. To whom it may concern,

    I’m writing to ask where the lovely images of Dario Fo and Franca Rame you have used in your photo gallery on this page were sourced from? I am looking for a few photos to use in the program of Sydney Theatre Company’s production of Accidental Death of an Anarchist, going to print next week.

    Any help you can provide regarding who I can contact to request permission for these images would be greatly appreciated.

    Thank you,

    Jordan Smith
    Content Manager
    Sydney Theatre Company

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