Leo de Berardinis and Perla Peragallo. Biographical note edited by Donatella Orecchia Leo de Berardinis was born in Gioi, a village in the region of Cilento (Salerno), in January1940, from Neapolitan parents who soon after moved to Foggia. Once graduated … Continue reading “Leo De Berardinis e Perla Peragallo”
Avita murì (1978) By Leo de Berardinis and Perla Peragallo With Leo de Berardinis and Perla Peragallo Debut: Florence, Rondò di Bacco, January 26, 1978 Avita murì by Donatella Orecchia In January 1978, Leo de Berardinis and Perla Peragallo brought to the stage … Continue reading “Avita murì, 1978”
O’ Zappatore (1972) cineteatrical spectacle by Leo de Berardinis e Perla Peragallo with Leo de Berardinis, Perla Peragallo, Cosimo Cinieri, Sebastiano Devastato, Giosafatt Nocerino, Giggino Pantanijali orchestra Guglielmo Esposito (pianoforte), Vincenzo Olivieri (batteria), Stefano Minale (clarinetto), Raffaele Minale (tromba) Premiere Napoli, Teatro Orione, 14 marzo 1972 ’O Zappatore by Donatella … Continue reading “O’ Zappatore, 1972”
L’uomo, la bestia e la virtù (1976) by Luigi Pirandello Company “Granteatro” Directed by Carlo Cecchi With Rosanna Benvenuto, Carlo Cecchi, Marina Confalone, Bruno Fantuzzi, Annalisa Fierro, Stella Gregoretti, Berto Lama, Carlo Monni, Alfonso Santagata, Aldo Sassi set, costumes and … Continue reading “L’uomo, la bestia e la virtù. 1976, 1980.”
The Bathhouse (1971) by Vladimir Majakovskij translation by Carlo Cecchi, Italo Spinelli, Marina Spreafico directed by Carlo Cecchi set and costumes by Franz Prati lights by Settimio Segnatelli with Silvana Bertorelli, Toni Bertorelli, Carlo Cecchi, Anna D’Offizi, Gianni Guaraldi, Gigio Morra, Giancarlo … Continue reading “The Bathhouse. 1971”
Carmelo Bene – biographical notes by Donatella Orecchia “We are born with a spasm, we die with a grin” (Carmelo Bene) Carmelo Bene was born September 1, 1937 in Campi Salentina, where his parents Amelia Secolo and Umberto Bene managed … Continue reading “Carmelo Bene”
The focus on Pinocchio of Carmelo Bene is articulated in five sections concerning the five editions/rewritings of Collodi’s text, of which Bene was director and protagonist: Pinocchio of 1962 (with the repetition to Spoleto in 1964); Pinocchio of 1966; Pinocchio … Continue reading “Pinocchio, 1962, 1964, 1966, 1981”
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