term_title - New Theatre in Italy

New Theatre in Italy |

Babilonia teatri
Giorgio Barberio Corsetti
Carmelo Bene
Luciano Berio
- Luciano Berio
Simone Carella
Carrozzone-Magazzini criminali-Magazzini-Lombardi Tiezzi
Carlo Cecchi
Collettivo Cinetico
The Company of the Musical Theater of Rome
- Rappresentazione et esercizio. 1968.
Compagnia della Fortezza
- I negri, 1996
- Compagnia della Fortezza
Leo De Berardinis e Perla Peragallo
Deflorian/Tagliarini
Fanny & Alexander
Dario Fo
- Mistero Buffo. 1969
- Dario Fo
La Gaia Scienza
Roberto Latini
- Ubu enchaîné. 2005
- Ubu Roi. 2012
Enzo Moscato
Motus
Muta Imago
Gruppo nanou
Pathosformel
Carlo Quartucci and Carla Tatò
- Zip Lap Lip Vap Mam Crep Scap Plip Trip Scrap &la Grande Mam alle prese con la società contemporanea. 1965
Claudio Raimondi and Riccardo Caporossi
Mario Ricci
- Illuminazione. 1967
- Moby Dick. 1971
Luca Ronconi
- Orlando Furioso. 1969
- Luca Ronconi
Santasangre
Giuliano Scabia
Franco Scaldati
Studio Azzurro
- La camera astratta. 1987
Teatro Valdoca

ITA
ENG

Research

Webzine

La Performance in Italia tra ‘comportamenti’ esplosivi ed implosivi

Patrizia Vicinelli. Rhythm, body and word between performance and poetry

Il corpo tra resistenza, forma e relazione

La Performance Art in Italia, fra teatro e live art

Valentina Valentini, Daniele Vergni, Francesca Fini

Performance Art: appendice sugli anni zero

Francesca Fini

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Ubu incatenato

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Census sheet for audiovisual archives
Teatro Ateneo al centro
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Swarm, as opposed to marching columns, do not require sergeants or corporals; swarms unfailingly find their way without the nosey interference of higher ranks and their daily orders. No one leads swarms in check, preaches to them, drives them on by force or threats, or keeps them on course. Anyone who wishes to keep a swarm of bees on a desired course is better off tending the flowers in the meadow, not drilling every bee in turn.

Z. Bauman

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